First Advisor

Kauffman, Deborah

First Committee Member

Oravitz, Michael

Second Committee Member

Garcia, Socrates

Third Committee Member

Weis, Robert

Degree Name

Doctor of Arts

Document Type

Dissertation

Date Created

5-2025

Department

College of Performing and Visual Arts, Music, Music Student Work

Abstract

This scholarly inquiry provides an in-depth analysis of Franz Schubert’s distinctive approach to music composition, offering a nuanced understanding that emerges from a detailed examination of his manuscripts. By placing a special emphasis on the autographic evidence left behind by Schubert, this study contrasts his intuitive and rapid compositional style with the more methodical processes of his contemporaries, such as Ludwig van Beethoven.

Schubert’s manuscripts show a composer who often worked directly from mental concepts to full musical expressions with minimal reliance on detailed sketches or iterative revisions. This approach is starkly different from Beethoven’s, whose extant sketches display a layered process of development, indicating meticulous refinement of thematic material and structural considerations.

This research meticulously analyzes various surviving manuscripts, including those for his Lieder, symphonies, and piano sonatas. The study highlights how Schubert’s swift compositional output, capable of producing intricate pieces like “Gretchen am Spinnrade” and the “Unfinished Symphony” in remarkably short periods of time, reflects both his mental agility and his unique approach to musical materials. The examination extends to his treatment of drafts and sketches, where, unlike Beethoven, Schubert demonstrated a tendency to discard earlier versions, starting fresh instead of revising, which emphasized his spontaneous creative impulses. The physical examination of Schubert’s manuscripts further enriches this study. Observations of his use of different inks and notational methods provide insights into his compositional habits and occasional deviations from them. A few manuscripts, such as the one for the “Arpeggione” Sonata, highlight moments when Schubert engaged more extensively with the revision process, offering a counterpoint to his typical method of direct and unmediated musical transcription.

Franz Schubert’s manuscripts serve not merely as archival materials but as pivotal resources that reveal the intricacies of his musical thought and craftsmanship. This study affirms Schubert’s role as a master composer whose works were not only products of spontaneous creative bursts but also of a deep, intuitive understanding of musical aesthetics and structure. The insights derived from this research contribute to the fields of historical musicology and performance studies, highlighting a compositional agility that continues to resonate in the interpretation and performance of Schubert’s music today.

Abstract Format

html

Language

English

Places

Greeley, Colorado

Extent

100 pages

Local Identifiers

Kandari_unco_0161D_11326.pdf

Rights Statement

Copyright is held by the author.

Digital Origin

Born digital

Download

Share

COinS