First Advisor

Burgett, Jill

First Committee Member

Moore, Charles

Second Committee Member

Casey, Brian

Third Committee Member

Junne, George

Degree Name

Doctor of Arts

Document Type

Dissertation

Date Created

12-2025

Department

College of Performing and Visual Arts, Music, Music Student Work

Abstract

African American spirituals and gospel music are two foundational folk traditions that have profoundly shaped the American musical landscape and continue to influence cultural identity and sacred expression. Emerging from the resilience and faith of enslaved African Americans, spirituals often carried coded messages of liberation. Meanwhile, gospel music developed in the early twentieth-century urban Black church, blending elements of spirituals, blues, and jazz to communicate collective and personal religious experiences. Although linked by shared cultural lineage, the genres diverge in their historical development, linguistic expression, and performance practices, necessitating comparative scholarly inquiry. This dissertation investigates the similarities and key differences between spirituals and gospel music in choral traditions. The study pursues three guiding questions: Q1 What are the similarities, key differences, and nuanced distinctions between spirituals and gospel music in choral music? Q1.1 What are the salient characteristics of choral spirituals and choral gospel music? Q1.2 How do the salient characteristics of choral spirituals differ from those of choral gospel music? Q1.3 What is the interpretation and historical performance practices for both spirituals and gospel music in a choral setting? Employing a qualitative methodology grounded in historical musicology and ethnomusicology, this research analyzes primary scores, scholarship, and recordings, complemented by interviews with scholars and practitioners. Comparative analysis informs the exploration of stylistic, linguistic, and performance-practice distinctions, while content analysis supports the evaluation of a curated list of one hundred Gospel choral octavos. These octavos are assessed for stylistic authenticity, educational value, and performability, offering a practical resource for conductors, educators, and performers. The study contributes to musicology, ethnomusicology, African American studies, and sacred music by illuminating the nuanced intersections and divergences of these genres. It also advances culturally sensitive and historically informed performance practices that honor the integrity of Black choral traditions. While limited to choral repertoire and excluding instrumental gospel subgenres, the research provides both scholarly and practical insights. Ultimately, this dissertation fosters a deeper understanding of the historical, cultural, and artistic significance of spirituals and gospel music, ensuring their continued vitality and relevance in both academic and performance contexts.

Abstract Format

html

Language

English

Extent

351 pages

Rights Statement

Copyright is held by the author.

Digital Origin

Born digital

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